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" "Wonder Woman's Wrath")
Driven by the twisted (and often darkly humorous) vision of burly singer/bassist Pete Steele
" and Perfect proves the ideal counterpart -- one of the few pianists paying homage to King's longtime collaborator Sonny Thompson
" making celebratory statements over frenetic club beats on the title cut
DRIVING TOWARDS THE DAYLIGHT 3/5/2002 " "Wonder Woman's Wrath")He'll never be the new Stevie Ray Vaughan, but at the rate blues rock (emphasis on the latter) guitarist Joe Bonamassa is going, he can take a stab at being the next Gary Moore. Like the Irish guitarist, Bonamassa is influenced by the British blues rockers more than the Americans they lifted their licks from. He's also just as prolific; this is his thirteenth album in twelve years and that's not including side projects with Black Country Communion and
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